The Tension of Conscience: Selfishness, Moral Responsibility, and the Human Conditions in the Novels of Iris Murdoch & John Fowles
DOI:
https://doi.org/10.31305/rrijm.2025.v10.n2.043Keywords:
Tension, Conscience, Selfishness, Moral ResponsibilityAbstract
This paper examines the theme of selfishness in the novels of Iris Murdoch, focusing on her philosophical concept of "unselfing" as an ethical response to egotism. The research analyses two of Murdoch’s notable works, The Sea (1970) and The Flight from the Enchanter (1956), exploring how characters driven by selfishness suffer moral and personal consequences. The study also compares Murdoch’s perspective with that of John Fowles’s The Magus (1965), which treats selfishness in a more existential and ambiguous manner. Drawing from textual evidence and philosophical discourse, the analysis demonstrates that Murdoch advocates for a clear moral progression toward unselfing, while Fowles presents selfishness as a complex, unresolved aspect of the human condition. This paper argues that Murdoch’s philosophical realism provides a structured moral framework, while Fowles challenges the reader to confront the ambiguity of selfishness in modern life.
References
Conradi, Peter J. Iris Murdoch: A Life. W.W. Norton & Company, 2001.
Fowles, John. The Magus. Jonathan Cape, 1965.
Gamble, Sara. Philosophy into Literature: Iris Murdoch and Literary Philosophy. Palgrave Macmillan, 2004.
Murdoch, Iris. The Flight from the Enchanter. Chatto & Windus, 1956.
Murdoch, Iris. The Sea, The Sea. Chatto & Windus, 1978.Murdoch, Iris. The Sovereignty of Good. Routledge, 1970.
Shaffer, Brian W. The Modernist Novel and Moral Philosophy: Self and Community in the Twentieth Century. Palgrave Macmillan, 2007.
Downloads
Published
How to Cite
Issue
Section
License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
This is an open access article under the CC BY-NC-ND license Creative Commons Attribution-Noncommercial 4.0 International (CC BY-NC 4.0).